For Mycah, belated Happy Valentines. I hope Cupid does wake you up tomorrow.
“Wake up, now.”
I could be the February chill that
blew in through her bedroom window. I could be the rustle of the stacks of
report papers, falling from her study table. I could be the whisper of her
silken hair, drawn across the newly-starched pillow. I could be all of these
things, or none at all.
She
moves in her bed, a fraction to the left, closer to the patch of sunlight that
dyes the white sheets with its own kind of white. Her leg is warmed by the sun
now, and gently, gently, she wakes.
Gently,
gently, she starts the day that I have orchestrated for her.
“Good
morning, sweetest.” I say. “Wait till you see what you’re getting.” I could be
the creaking springs of her mattress as she sits up and stands from her bed; I
could be the silent scuffling of the ant army, on its way to conquer the
half-eaten sandwich on her dresser; I could be either these things, or none at
all.
This
young lady is a clock, a calendar, a schedule. I do not need to be a seer to
know what comes after her morning stretch (a prayer, a quick shower), or after
her heavy breakfast (the brushing of teeth, the selecting of clothes).
She checks the time now, and she is
not earlier nor later than she was at this exact minute yesterday. Her heart
dreams of an upheaval. I can taste that longing in her heart, for am I not a
connoisseur of the vintages of emotion? It starts off as very sweet, but has a
bitter finish. And now it is abruptly gone as if I only imagined it. She has
pushed it away, she is moving forward with her day.
The heart is both a cup and a
vineyard to me. I have never drank from anything else these past few years. The
heart and its cultivation, after all, is the object of my role and my craft. If
anyone would ask what that role would be, I’d simply answer—well, I’m a vintner
or a sommelier. Of sorts.
In understanding my work, one must
always remember two things. One, that the quality of the grapes greatly
determine the quality of the wine. And two, that the greatest emotions are
reaped from vines planted from the smallest, most obscure things.
Allow me to demonstrate.
This young lady is putting on her
shoes—leather doll shoes that are held tight by a garter or band below the
ankle. They are neither new, nor old. They are products of mass production, and
anyone with five hundred pesos (that’s a little over ten dollars) can purchase
them. She is comfortable in them. She has broken them in some four weeks ago.
Her mother is now walking her to
the door, saying God-Bless-you-have-a-good-day-love. She watches her daughter
go. The bouquet of this wine is heavy with worry, resentment and not
surprisingly, with pride.
So, back to the girl. I loosen the
garter of her right doll shoe while she is sitting in the car, next to her
father. Just a little bit, barely an umpteenth of an inch of the garter. She
will never notice this.
“Step one complete.” I say.
I could be the growl of the car
engine as it makes its way out of the garage and onto the city traffic; I could
be the carefree banter of her father as he regales her with tales of his
gardening victories (the war with the merciless noon-time sun has been won and
the tomatoes will be safe, ever after); I could be the din of an entire city,
muffled by sheets of glass. I could be all these things, or none at all.
They pass the university gates,
un-checked by the guards by virtue of the small sticker on the windshield. She
kisses her father on the cheek, thanks him for the ride and jumps out of the
car. Her father only says “Okay” but I can taste the warm affection, the bright
hope, the sincere concern in that word and heartbeat that occupied the same
time and space.
The
girl walks from the drop-off point to the biology building. The path is wide
and is made of concrete (or is it cement? Is there a difference?) made shiny by
years of scuffling shoes. On one side, there are benches and students and
smiles and books. On the other, there are patches of dark brown earth, green
grass, and grey gravel stones. Workers are emptying sacks of gravel, a project
commissioned by the university to widen the path.
I time
this perfectly. I never miss. I used to be an archer, and I never miss.
I glide
ahead of her, to one of the workers on the side of the path. I count two
heartbeats, and I nudge his elbow as he is upending one of the gravel sacks. He
tilts a little bit to the right, no real damage done as all pieces of gravel
land exactly on the spot that was pointed out to him by the uppity foreman. All
except one.
It is
very small, perhaps the size of a grain of rice, or a grape seed. And quite
sharp. It falls a little further than its brothers, then bounces off the shiny
concrete (or cement) path, and into the very-slightly loose doll shoe of our
young lady as she walks hurriedly past. Her foot lands heavily.
“Oh,
fuck.” she mutters. Small or not, it pains her and she must remove it at once.
She spots a bench that is only half occupied,
sits and removes her shoe. She sees the little gravel-shard, snugly embedded on
the heel of her foot. She takes it out, it has lodged itself deeper than she
thought for a little bead of blood has appeared.
See? I
never miss.
“Do you
need a band aid?” said the boy sitting next to her on the bench. She hesitates,
but nods and says, “If it isn’t too much trouble.” He takes out a small box of
checkered band-aids from his backpack, and hands it to her. He has a book of
human anatomy on his lap, the chapter on muscles found in the shoulder. He does
not smile, this kind stranger. I taste absolutely nothing, as if his heart holds nothing but water, nothing but nothing.
She
takes the box and chooses the red-and-white checkered one. She thanks him again,
and asks why he is studying anatomy this early in the semester. He does not like explaining himself (something he has to learn to do anyway if he is to become a doctor), but he does so...
And I
hear nothing of what he says.
I only
stay to marvel at the stoicism of it all, and how completely ignorant both of
them are of what lies ahead. This moment is as significant and as wonderful as
the day they were born, and yet they barely even manage to smile.
"I'll see you in a year, my dear." I say to her.
I will return
to sample what her heart will hold by then, and I look to that day with great
anticipation. A strong, fiery wine—I imagine—a euphoric sensation, a sweet
finish. Potent, intoxicating, and I will be drunk.
I could be the heavy thump of his anatomy book slamming shut, as he takes his box of band aids from her. I could be the final thanks she gives before putting on her shoe and walking off to her class. I could be the glance he takes, at the direction of the pretty girl. I could be all these things, or none at all. After all, I could be wrong about them (but this, my friend, is unlikely. Remember, I never miss).
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